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Mary Vieira
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Mary Vieira : ウィキペディア英語版
Mary Vieira
Mary Vieira (1927–2001) was a Brazilian sculptor. She was the first Brazilian artist to win the São Paulo Art Biennial (during the second edition). She was born in and brought up in Minas Gerais. She studied with Alberto da Veiga Guignard in Belo Horizonte. In 1947, she exhibited in Belo Horizonte Municipality’s Hall of Brazilian Young Artists, and in the following year she made the first maquettes of a dynamic oeuvre where the aesthetic experience is solidly integrated to a direct and co-creative participation of the usufructuary.
== Mary Vieira in Europe ==

In 1951, Mary Vieira settled in Europe where she met Italian poet and critic Carlo Belloli. In 1953, the artist is given the Rio de Janeiro’s Museum of Modern Art “Brazilian Sculpture” Award in São Paulo’s 2nd Biennial. Invited by Max Bill, she participates in Swiss Group Allianz’s last exhibition. In 1957, Mary Vieira married Carlo Belloli, intensifying a key intellectual dialog for her aesthetic journey. The couple lived and worked between Switzerland, Italy, and Brazil. In Europe, she delved into her proposals of dynamic shaped sculptures that are successively classified as: monovolumes, multivolumes, polyvolumes, and intervolumes. The artist is recognized by international critics as one of kinetic art’s major representatives. In 1966, she was given the “International Marinetti Award for Plastic Research on Kinevisual Expression” on the occasion of the 20th foundation anniversary of the “Salons des Réalités Nouvelles” in Paris’s Municipal Museum of Modern Art.

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